Hello, all you costume fans!
Last Friday I had the opportunity, thanks to a lovely woman I met in a couturier sewing class, I was allowed to see, examine, photograph and measure a split riding skirt dating (possibly) from the 1920s or 30s, and worn many times by one of the Santa Barbara's best-known Fiesta parade riders, Hattie Feazelle. I'll describe the skirt, and if I get permission I'll post some photos. It's beautiful, practical, authentic (actual horse smears and saddle stains), and tough (fabric-wise).
The only reason I have to imagine that this skirt dates so far back is the buttons. They appear to be bakelite. Of course even if they are bakelite, they could have been added to a later skirt. I've asked my friend (who is also a Fiesta parade rider) to ask Mrs. Feazelle various questions about the skirt, and, with permission, will let you know my findings.
This is a split riding skirt made to button across to give the appearance of a skirt rather than a divided garment, once one is off the horse. The difference between this skirt and two commercial patterns I've seen (one is Folkwear #231 - Big Sky Riding Skirt), is that the buttoned area is not a separate panel, but part of the pants leg itself.
There are only five pattern pieces, including the waistband: waistband, outer front, inner front, outer back and inner back. I have to check my measurements, but I think the outer front and back may be the same, making the pattern only four pieces. The crotch seam is long and narrow, to allow more room for sitting on a saddle, and the outer (side) seam is curved to fit the hip. The front and back seams of the pant pieces are on the straight grain of the fabric (both inner and outer pieces), leaving a slight bias for the outside, which helps further to make the curve fit over the hip. The left front leg seam has buttonholes and the right front leg seam has the buttons. The pieces are cut wide enough that they can pull across and cover the center front and the center back, without a separate panel. This is a very slim, elegant-looking skirt, but still has plenty of room to maneuver.
The waistband is narrow: only 1" wide.
The skirt is made of a medium hued, bright tan (tobacco-color, it was called a few years ago) cotton twill / gabardine. The fabric itself is very tough and long-wearing. I've used it on a few garments, and I'm sure this garment was worn a lot, with some hard riding, not just parades, to acquire the wear it has.
My friend tells me that she is the same height as Mrs. Feazelle's daughter, and when she held the skirt up to her waist, it reached her instep. She says Mrs. Feazelle is shorter, so it may have reached the ground (or almost) on her. Mounted, it probably reached her ankles. One of the questions I've asked is if there are extant photos of her wearing the skirt, mounted.
This should be a fun project. More later, I hope.
Yesterday I saw "Julie & Julia," and enjoyed it very much. It's a foodie's movie, and I thought Glenn Close did a fantastic job as Julia Child.
On Saturday, August 8, I went to the Santa Barbara Fiesta parade and took a lot of photos, mostly of horses. Didn't see a single sidesaddle, although I'm told there were a couple. I went because of a fellow I met at Costume College, who appeared in a beautiful Hussar uniform, complete with sabretache and pelisse - beautiful - and furthermore, bearing signs of actual usage on a horse! He told me he would be riding in the Fiesta parade, so I had to go. I saw his outfit, too, and took a few photos. Maybe I'll put them up here later.
Cheerio!